Category: Horror FIlms

Phantom of the Opera (1925): A Sense of Theatricality

The film has a complicated history, including a frosty reception upon its first (and second release). But even if the film weren’t importantly historically, with one of the first moments of moving technicolor (rather than hand-tinted film), it allows us to watch Chaney in all his sympathetic, oddball glory.

AFI Fest 2014: Réalité and Alléluia

Alléluia was riveting in a demanding sort of way—so much so that the film sometimes felt like mostly a tight close-up on Dueñas's Gloria, sometimes just her eyes. (Though there was of course less of that than it seemed like there was.) It's based on the same story, the Martha Beck-Ray Fernandez murders, as the pulpy The Honeymoon Killers (1969).

Michael Powell’s Peeping Tom (1960): Take Me to Your Cinema!

The main character, the Peeping Tom of the title, is Mark Lewis (Karlheinz Böhm), a focus-puller (assistant cameraman) at a British film studio. But this is merely cover for Mark’s real calling—documentarian. The artistic child of a scientist, he documents the murders of women he commits using a dagger hidden in his camera’s tripod.