Month: November 2014

AFI Fest 2014: Takashi Miike’s Over Your Dead Body

Takashi Miike has a great eye, and he constructs breathtakingly beautiful mise-en-scènes. "Over Your Dead Body" is no exception: It's gorgeous. Of course, the other thing Miike is known for is gore, often sexual in nature. "Over Your Dead Body" is also no exception in this regard.

AFI Fest 2014: A “Fish and Cat” from Iran

The AFI schedule advertised it a "horror comedy art film," like "a 'Friday the 13th' installment directed by Alain Resnais." While that is one of the finest descriptions I have ever come across, I suspect that it did the film a disservice by attracting people who were expecting more "Friday the 13th" and less Resnais.

Bluebeard in Black and White: Fritz Lang’s “Secret Beyond the Door”

Lang is a master of mood and lighting (assisted by some fantastic cinematographers), and this carries "Secret." It doesn’t hurt that it stars Joan Bennett (a sometime Lang favorite) and Michael Redgrave, but the plot is so goofily Freudian that if Bennett and Redgrave weren’t adrift in Lang’s parallel universe, it probably wouldn’t work.

AFI Fest 2014: Réalité and Alléluia

Alléluia was riveting in a demanding sort of way—so much so that the film sometimes felt like mostly a tight close-up on Dueñas's Gloria, sometimes just her eyes. (Though there was of course less of that than it seemed like there was.) It's based on the same story, the Martha Beck-Ray Fernandez murders, as the pulpy The Honeymoon Killers (1969).