This was Delon’s first big movie, and even if he weren’t very good, you can see why. But Delon is shockingly good. His Tom Ripley is a criminal novice. Much of the pleasure of both Highsmith’s first Ripley novel and of "Purple Noon" is watching Tom come into his own as a sociopath.
Month: April 2014
Verbinski’s characters—his worlds—are loopy and sometimes it seems as though the stuffing is coming out at the seams. Characters teeter on the edge of our world, sometimes falling off into bizarre other-worlds where there exist things like the fanged feral rabbits in "The Lone Ranger," or, really, whole swathes of the fourth "Pirates" film.